PATRICK HAZELL'S BELL PROJECT MEDIA REVIEWS
Iowa City Press Citizen--feature on Hazell's Bell Projects, June 21, 2005
Des Moines Register, Kyle Munson's front-page story about the Bell Projects, Dec. 21, 2004
RETURN TO BELL PROJECT MAIN PAGE HOME CHECK HERE FOR POSSIBLE FUNDING OF BELL PROJECTS
Bells of Dubuque
Concert will showcase 7 downtown churches
by MARY NEVANS-PEDERSON
Dubuque Telegraph Herald, Thursday September16, 2004 GO
FOR MORE INFORMATION ABOUT THE DUBUQUE BELL PROJECT
Dubuque -- For a full hour Sunday, Dubuque's downtown will
ring with the pealing of scores of church bells in a concert written
by a popular Iowa
musician. Patrick Hazell, of Washington, Iowa, has done this before - in his hometown of Burlington, Iowa, and in Izhevsk, Russia. Seeking another Iowa
site for a bell concert, he found dubuque to be perfect. "You've got to have a number of churches (or other buildings with bells) in close proximity and having them all sit in a valley is even better," said Hazell, 58, who has performed live blues and honky tonk music across the Midwest for 43 years. Earlier this year, Hazell scouted out which churches had bell towers. Of those he approached, seven congregations agreed to be part of the 7 p.m. concert. Hazell then tested all the bells in each church, cataloging the notes each play and the length of each toll. He took the information back to his studio and created an hour long concert. Two ringers will be assigned to each church Sunday.
"I have always liked bells," Hazell said. "Most people don't realize bells have overtones that don't start showing until they are played for a length of time. When there are multiple bells playing, a synergy happens and a harmonic interplay beyond the individual notes." At St. Raphael Cathedral, Sister Ruth Jackson, SVM, pushed switches to ring the church bells as Hazell matched the notes on his harmonica. "I'm excited about this connecting of the downtown churches for something of beauty and inspiration," Jackson said. Tim LoBianco, an ordained deacon who serves as pastoral administrator at both St. Mary and St. Patrick Catholic churches, called Hazell's project "very creative." "Bells have always been used to call us to something important - to worship or to some emergency. It is wonderful to use them to create music," LoBianco said. The 1913 chime with 13 bells at St. Luke's United Methodist Church is played for 10 minutes before each worship service and for some special occasions. Nancy Woodin, St. Luke's music coordinator, is thrilled that her church will be part of the concert. "It's not often that churches get to work together," she said. The single bell at First Congregational United Church of Christ will peal in time to Hazell's music, said the Rev. Nancy Bickel, co-pastor. "Mainline Protestant churches have always celebrated music and encouraged creativity and this sounds like an innovative project," she said. The Rev. Victor St. George, pastor of St. Matthew Lutheran Church, thinks the concert, although a secular event, "will uplift people and make them think about their relationship with God." The church's bell is rung manually. The three bells at St. John's Lutheran Church also are still rung by hand. Pastor Steve Meysing plans to invite the church's neighbors over to listen to the concert outside the church. "This is a testament to the vitality of Dubuque's downtown, that it is still alive and its churches are still active," he said.
Hazell hopes the weather cooperates for Sunday's concert. Windy conditions would be the worst, he said. To listen to the concert, Hazell suggests getting away from traffic sounds. Hazell plans to pick a spot on one of the bluffs overlooking downtown.
Copyright: Copyright 2004 Telegraph Herald
Ringing bells fill downtown air Burlington
Hawkeye, December 27, 2004
By AIMEE TABOR
As soon as the clock struck 7 p.m., the sound of church bells echoed through downtown Burlington. After one bell sounded, another quickly followed. Two churches sounded their bells one after another with one church sounding its bell twice followed by the other sounding its bell once.
The bells from the seven downtown churches, the art center, itself a former church, and the fire station followed a pattern created by Pat Hazell, who conducted his sixth Hawkeye Valley Bell Project. The hour-long event Sunday night featured a variety of sounds that emanated throughout the chilly nighttime air as residents walked the streets taking in the music and enjoying the evening. Although it was cold, people wore gloves, hats, scarves and earmuffs to keep warm and enjoy the sounds of the bells.
During the event, there were moments when the sound of only one bell was heard. Then there were times when others rang at the same time. Other bells sounded one right after each other in a pattern. As the bells sounded some people stopped for a moment on the street to take in all the different sounds. Others left their vehicles to brave the cold and take in the sounds.
Hazell, who coordinated this and past events, said his love of the sound of church bells started the project in his hometown.
"I've always liked the sound of bells," he said.
When he traveled in Europe, Hazell said he heard different church bells and always loved the sound. Hazell noticed the Burlington churches rang their bells only during services or on special occasions so he decided to coordinate the bell-ringing events.
"I've been thinking about doing this for about a half a dozen years," Hazell said.
Hazell, who was born and reared in Burlington but who now lives in Washington, contacted church leaders and officials and pitched the idea to them. With everyone in agreement, Hazell was able to make his dream come true. The first event was Feb. 1, 2003. Other 2003 performances were on May 1, Aug., 1 and Nov. 1. This year, Hazell held one March 20 and another Sunday. The first was somewhat challenging getting it choreographed. After that, Hazell said the others were organized with ease. To make the different bells ring at a certain time, each volunteer is equipped with a sheet that spells out when they should ring the bell and how often.
"They'll ring in patterns," Hazell said.
To get everything perfect, volunteers used synchronized watches to make sure the bell they rang was on time. The different bells each had their own unique sound and were activated by either rope or button.
"Each ring has a different pitch and volume," Hazell said.
Before the volunteers manned their stations, Hazell offered a pep talk and told each to have fun. He made sure everyone had gloves, their sheets and were prepared for the event.
BELLS ARE MUSIC TO OUR EARS
PRESS CITIZEN, IOWA CITY, IOWA Tuesday, June 21, 2005
By Jean Eckstein -- historian for IC Music Study Club
Do you stop to listen when the bells ring? There's music in those bells. The earliest ones were probably not cast as we know them today but were plates riveted together. Later peripatetic artificers moved about the country setting up their temporary foundries to cast bells.
The Latin word for bell, campana, came into use in the 4th and 5th centuries and before that the history is uncertain, but some type must have been used. Bells called soldiers to arms and people to church. They sounded alarms and curfews, alerted the citizenry to news of battles, announced the closing of shops, opening of markets and were signals that lights and fires had to be extinguished by 8 o'clock.
Bells are music to my ears. So I listened when Iowa City Music Study members Joan Hazell and Vona Robertson talked about Patrick Hazell's bell-ringing project. Patrick, musician, composer and originator of the idea, created a musical composition using 10 different bells in Burlington: church bells, fire station bells and the school bell in the old Lincoln School.
Patrick, a Burlington native, has staged six bell-ringing concerts all with unique scores in that city. He studied the volume and pitch of the bells and their location to one another, and then produced a score for an hour-long concert. With synchronized watches, two or more bell ringers went to each assigned place and the music began.
At the invitation of two visitors to Burlington from Izhevsk, the capitol city of the Udmurt Republic, Russia, a bell-ringing concert was played there in June 2004.
This was followed by a performance in Dubuque with a wonderful mingling of sound in a new score. The bells were rung either by pulling ropes or activating electronic switches. No prescribed automated melodies were used.
At the time Patrick was quoted as saying, "Bells have overtones that don't sound until played for a length of time. "When multiple bells play, a synergy happens. I give each bell a time to sound alone and in different combinations with the other bells. That gives the listeners a texture full of rhythmic and tonal interplay."
Patrick has a very creative mind and is involved in planning a documentary film project called "The Siberian Highway Project." When completed, the film will feature Patrick and two folk musicians, Sergey Kungurov and Nadja Utkina from the Udmurt Republic. Following the Udmurtian portion of the Old Siberian Highway as it traverses Russia, they will pass through villages with unique and isolated cultural populations, seeking and ringing church bells, and performing along the way.
Wouldn't you love to journey with them? Oh, hear the bells. Remember Edgar Allen Poe's poem, "The Bells," where he writes:
"Keeping time, time, time in a sort of Runic rhyme,
To the tintinnabulation that so musically wells
"From the bells, bells, bells, bells, bells, bells, bells
"From the jingling and the tinkling of the bells."
Music Appealing to the Ear
Burlington maestro's bell projects turn city into concert hall
By KYLE MUNSON, Des Moines Register Music Critic, December 21, 2004
Patrick Hazell is maestro of one of the most unconventional orchestras in the world, and his concert hall is a scenic downtown in a horseshoe-shaped valley rolling down to the Mississippi River.
Last week, Hazell, 59 , yanked on a rope at First United Methodist Church in Burlington to test one of his instruments - a bell weighing 1,400 pounds. He was fine-tuning the musical score for his next performance here Sunday. "This is a hard one to finesse," Hazell concluded, staring at the ceiling high above, where the rope disappeared through a tiny hole into the bell tower. "You kind of have to be a little bit of a musician to ring this one."
Hazell climbed a series of rickety ladders into the bell tower, led by Senior Pastor Dennis Tevis. Icy gusts of wind buffeted the two men once they reached the top. There it was: The bell, forged in 1850 by the Buckeye Bell Foundry, G.W. Coffin and Co. in Cincinnati, Ohio.
Hazell gazed around him at six other towers within view in downtown Burlington - all housing bells that will ring when his Hawkeye Valley Bell Project reverberates Sunday. The instruments in Hazell's orchestra are these massive bells. Church bells. Fire-station bells. A total of nine bells around Burlington. Bells that a century ago were primary sources of broadcasting news to townsfolk - the happy peal of wedding or worship bells, the mournfully slow tolling of funeral bells, the persistent alarm of a fire bell.
Today, Hazell, who lives in Washington, Ia., has reclaimed use of the bells for art's sake, as well as to rally community spirit. He's a blues musician by trade. A veteran live performer. A fixture in nightclubs and at fairs and festivals around the Midwest. Now he's getting noticed for the unconventional sound of his bell projects.
"It sounds kind of like a giant wind chime, I guess," said Jon Gloeckner, who with his wife, singer-songwriter Jen Gloeckner, helped Hazell coordinate a bell project in Dubuque. "It's not going to produce a song. It's different depending on where you're sitting and listening."
To produce such a project, Hazell first takes stock of all the available bells. He determines the pitch and loudness of each bell and their proximity. Then he writes an hourlong musical score by hand on graph paper, to be performed by teams of ringers stationed at each bell.
"It's neat for a town this size, something that you don't find in a large city," said Carol Purell, who lives downtown, next door to one of the bells at the Arts for Living Center, a community museum housed in a former Methodist church built in 1868.
A city enchanted. Burlington has been enchanted by the bell projects. "It kind of froze time for an hour," is how one of Hazell's three sons, Jon , a budding filmmaker based in Burlington, described the atmosphere during the ringings.
Many of Burlington's residents perform in the projects. Most of Hazell's ringers aren't musicians but friends, church members and other locals. He never rings a bell himself, so he can scurry around town and hear how his composition is blending together from different points.
"I really felt like I'd let a genie out of the bottle," Hazell said of the awed reactions he received after he staged his first ringing, on Feb. 2, 2003, in Burlington. "It was a 'Twilight Zone' thing."
Since then, Hazell has staged four more ringings in Burlington - May 1, Aug. 1 and Nov. 1 in 2003, and this year on March 20. He branched out with a ringing June 11 in Russia and one in Dubuque on Sept. 19. Sunday's bell project will be his eighth. "It was an incredible opportunity for all of Dubuque to do one thing together," said Steve Meysing, pastor at St. John's Lutheran Church in Dubuque. "It brought people outside, sharing public spaces in ways that broke down every barrier that we create between people."
Here's how a typical ringing plays out in Burlington: The ringers convene at 5:30 p.m. at the Blue Shop, a storefront downtown that Hazell owns and uses as an occasional concert venue. Ringers fan out, in clusters of two or more, and take their places at the bells by 6:30, synchronized watches in hand. Most bells are rung by ropes, but some require only a simple flip of an electric switch.
"It's kind of a workout, really, pulling the rope on a bell for six to seven minutes," said experienced ringer Lois Rigdon.
Two of the bells ring on the street. The bell at St. Paul's Catholic Church, the oldest church bell in town, dates to 1842 and hangs in a display case in front of the church. The fire station bell also is streetside, since renovation of the crumbling bell tower proved too costly in the early 1950s. The ringing begins promptly at 7 and ends at 8. Afterward, the ringers return to the Blue Shop to celebrate.
On Dec. 13, Hazell made the rounds of all the bell sites in Burlington to distribute his new score. He often was met with a familiar greeting before he could utter a word.
"Looks like bell ringers to me."
"Are we gonna do the ding-dongs?"
The popular image of Hazell around Iowa and the Midwest is that of a bluesman. In 2000 he was inducted into the Des Moines-based Iowa Blues Hall of Fame. He's also famous for one-man-band concerts in which he plays keyboards, blows the harmonica and keeps the beat on a bass drum while singing.
Burlington native Bart Howard wrote the Frank Sinatra staple, "Fly Me to the Moon," but Hazell never has had a "hit." His musical impact has been much broader than a single song. He taught himself to play boogie-woogie piano in 1956 using his older brother's LP collection - playing along to the songs of Pete Johnson, Hadda Brooks and Red Prysock.
The Mother Blues Band that Hazell founded in the late 1960s and led until 1982 was a proving ground for other pillar roots musicians in Iowa besides himself, including Joe Price, who now lives and records with his wife, Vicki, in Lansing, Ia.; and Bo Ramsey, a fellow Burlington native who had a 1974-78 stint with Mother Blues and today tours relentlessly with Pieta Brown.
Yet behind this rootsy image, Hazell always has nurtured his experimental muse.
About 25 years ago in Arkansas, his ears perked up at the complex sound patterns of cicadas, so he incorporated their circular, overlapping rhythms into his music. "It's a lot more compelling than the standard 4/4 beat of a rock song," he said.
Through a chance meeting in 1986 in a corner bar in Burlington, Hazell was enlisted to perform in Belgium and later Germany. It was in Germany that he heard more than cursory ringing of church bells - performances of up to 45 minutes in which the pealing, multiple bells of a single church seemed to be "vibrating the whole environment." Hazell has made more than a dozen trips to Germany and has tentative plans to return next year.
"It's the really mesmerizing chant-like aspects that I love," Hazell said. "It's one of my favorite things about going to Europe, being able to listen to those bells ring."
Hazell taught an experimental music class at Washington High School in the late 1980s and early 1990s, where his students composed such brazenly original tunes as "Santa Was Eating the Christmas Tree."
He is the kind of musician who asks himself such questions as, "What was our sound environment like in 1860?"
He'll spend time alone in the middle of an Iowa farm field in the dead of winter just to get away from the "white noise" humming through our daily lives - traffic, refrigerators, air conditioners, planes. The aural clutter of electricity. Internal combustion engines. Commerce.
In that sense, Hazell designed his bell projects to make people aware of the ambient noise of Burlington and the other communities where they are performed. "It really caused people to stop and listen," said Steve Meysing of Dubuque. "It really helped reconnect us with the natural world."
Spurred by Hazell's performances, Burlington is rediscovering its church bells for their beautiful tones and as possible tourist attractions. Cathy Henderson, who runs a bed-and-breakfast downtown, told Hazell on Monday that she has noticed how the churches now peal their bells with more gusto every Sunday. Val Giannettino , executive director of Downtown Partners Inc., is coordinating an effort to cast permanent spotlights on all the steeples downtown. Hazell "took it to that next level of turning it into this whole concert kind of thing," Giannettino said. Henderson is one of the Burlington residents who have long thought that the town of 27,000 should market itself as a "City of Steeples."
Invitation to Russia:
The export of Hazell's bell project to Russia can be traced to a pair of celebrated Udmurt folk musicians, Sergey Kungurov and Nadia Utkina , who happened to visit Burlington in January 2003 in the weeks leading up to Hazell's first bell ringing. They weren't able to stay and hear the performance, but the concept alone and discussions with Hazell led them to invite him to take his bell project overseas - specifically to the city of Izhevsk , the capital of the Udmurt province located about 600 miles east of Moscow.
Hazell scouted Izhevsk's bells in November 2003 and produced a bell project there last June. He also returned for most of November to attend the grandiose 85th birthday party for Mikhail Kalashnikov, inventor of the AK-47 assault rifle. Kalashnikov's grandson, Igor Krasnovsky, heard Hazell perform in a nightclub during the visit and told him he considered the bell projects to be a harmonic convergence, heralding a new era in Russian history. Hazell is booked to return to Russia in February for a jazz and folk festival and then again next summer to take part in a documentary on the Siberian Highway that will use church bells as its soundtrack.
Established as a bluesman Hazell built a long tenure of blues gigs in Iowa before finding his way overseas.
Ever since his first album, 1977's "Harvest Dance" with his Mother Blues Band, he has run an independent operation with his own Blue Rhythm Records. He has released more than 35 albums - even he loses count. He sells them primarily through his own gigs and his Web site, www. patrickhazell.com.
At least a dozen more albums are waiting for him to polish and release. Hazell considers some of his live performances recorded this year, about 50 hours' worth of music, to be some of his best material yet. His stockpile of music includes recent collaborations with a Turkish singer who's also a research scientist living in Iowa City.
In recent years, he has cut back his tour schedule to about 55 gigs each year, less than half of what it was. After decades of chasing work, he now waits for nightclubs to phone him.
As it turns out, some of the first sounds Hazell ever heard, the ringing bells of his hometown, were his ticket to the international career in music he had designs on all along.
Steve Brower, who attended high school with Hazell in Burlington, said the bell projects "illustrate that music should be in our lives - it doesn't have to be particularly in band, a school band or a rock band or some kind of official music event. It should be there all the time."
Hazell's bell projects have been performed in Iowa and Russia.
Here is a timeline of events:
FEB. 2, 2003 : Burlington
MAY 1, 2003 : Burlington
AUG. 1, 2003 : Burlington
NOV. 1, 2003 : Burlington
NOVEMBER 2003 : Planning session in Russia for project in Izhevsk , the capital of Urdmurt province
MARCH 20, 2004 : Burlington
JUNE 11, 2004 : Izhevsk
SEPT. 19, 2004 : Dubuque
SUNDAY : Burlington